Die Blechtrommel The Tin Drum by Günter Grass holds a special place in my life. It has history. Growing up in Germany, I am reading it for the first time in 1966, at the tender age of thirteen. Later I keep returning, to the English translation as well. Published in 1959, the novel is part of early post World War Two literature engaging in the necessary work of collective re-membering via literature – Erinnerungsliteratur . There is no walking forward without doing the work of “re-collecting” as an act of repairing, bringing light and insight. Artists often know how to do this well. Shame, guilt, denial. The novel’s broader historical setting is familiar to me already, thanks to my unique parents. Both looking to new ways of dealing personally and collectively with the nation’s horrific past. Political satire, subtle and grotesque humor, poetic imagery, all embodied by the voice of the ‘untrustworthy’ narrator named Oskar. For my young teenage spirit, the style of magic r...
